This book critically examines the causes of the increase in insurgent violence in Balochistan and explores the relations between the national government of Pakistan and the province of Balochistan. Based on historical analysis, the book argues that the national government of Pakistan and the leaders of Balochistan both use a standard narrative when dealing with each other. According to the Baloch narrative, Islamabad exploits Balochistan's natural resources without giving Balochistan its due share and has never accepted and granted Balochistan equal rights. The centre's narrative emphasizes the tribal character of the Baloch society and suggests that the Baloch elite hinder Balochistan's integration with the federation. This book demonstrates that both narratives are inherently flawed and presents a precipitous picture of the problem of insurgent violence. It also shows that the Baloch leadership is divided along tribal lines and lacks a unified voice and proposes that the Baloch elite use the narrative of enduring injustice only as a source of politicization of Baloch ethnicity when an actual or perceived injustice is taking place. An important addition to the literature on ethno-political conflicts, this unique analysis of the importance of narrative in the imagination of political movements will be of interest to scholars in the fields of South Asian studies, ethnic conflicts, separatist and political movements and Asian politics.

The contributors to Turning Archival trace the rise of "the archive" as an object of historical desire and study within queer studies and examine how it fosters historical imagination and knowledge. Highlighting the growing significance of the archival to LGBTQ scholarship, politics, and everyday life, they draw upon accounts of queer archival encounters in institutional, grassroots, and everyday repositories of historical memory. The contributors examine such topics as the everyday life of marginalized queer immigrants in New York City as an archive; secondhand vinyl record collecting and punk bootlegs; the self-archiving practices of grassroots lesbians; and the decolonial potential of absences and gaps in the colonial archives through the life of a suspected hermaphrodite in colonial Guatemala. Engaging with archives from Africa to the Americas to the Arctic, this volume illuminates the allure of the archive, reflects on that which resists archival capture, and outlines the stakes of queer and trans lives in the archival turn. Contributors. Anjali Arondekar, Kate Clark, Ann Cvetkovich, Carolyn Dinshaw, Kate Eichhorn, Javier Fernandez-Galeano, Emmett Harsin Drager, Elliot James, Marget Long, Martin F. Manalansan IV, Daniel Marshall, Maria Elena Martinez, Joan Nestle, Ivan Ramos, David Serlin, Zeb Tortorici

The late Chicagoan George Nesbitt could perhaps best be described as an ordinary man with an extraordinary gift for storytelling. In his newly uncovered memoir-written fifty years ago, yet never published-he chronicles in vivid and captivating detail the story of how his upwardly-mobile Midwestern Black family lived through the tumultuous twentieth century. Spanning three generations, Nesbitt's tale starts in 1906 with the Great Migration and ends with the Freedom Struggle in the 1960s. He describes his parents' journey out of the South, his struggle against racist military authorities in World War II, the promise and peril of Cold War America, the educational and professional accomplishments he strove for and achieved, the lost faith in integration, and, despite every hardship, the unwavering commitment by three generations of Black Americans to fight for a better world. Through all of it-with his sharp insights, nuance, and often humor-we see a family striving to lift themselves up in a country that is working to hold them down. Nesbitt's memoir includes two insightful forewords: one by John Gibbs St. Clair Drake (1911-90), a pioneer in the study of African American life, the other a contemporary rumination by noted Black studies scholar Imani Perry. A rare first-person, long-form narrative about Black life in the twentieth century, Being Somebody and Black Besides is a remarkable literary-historical time capsule that will delight modern readers.

"Queering Archives: Intimate Tracings" is the second of two themed issues from Radical History Review (numbers 120 and 122) that explore the ways in which the notion of the "queer archive" is increasingly crucial for scholars working at the intersection of history, sexuality, and gender. Efforts to record and preserve queer experiences determine how scholars account for the past and provide a framework for understanding contemporary queer life. Essays in these issues consider historical materials from queer archives around the world as well as the recent critical practice of "queering" the archive by looking at historical collections for queer content (and its absence). This issue considers how archives allow historical traces of sexuality and gender to be sought, identified, recorded, and assembled into accumulations of meaning. Contributors explore conundrums in contemporary queer archival methods, probing some of them in essays on the Catholic Church and the Church of Jesus Christ of Latter-Day Saints. This issue also includes a series of intergenerational interviews reflecting on histories of LGBT archives, a roundtable discussion about legacies of queer studies of the archive, and a closing reflection by Joan Nestle, a founding figure in the practice of international queer archiving. Daniel Marshall is Senior Lecturer in the Faculty of Arts and Education at Deakin University, Melbourne. Kevin P. Murphy is Associate Professor of History at the University of Minnesota and a member of the Radical History Review editorial collective. Zeb Tortorici is Assistant Professor of Spanish and Portuguese Languages and Literatures at New York University. Contributors: Rustem Ertug Altinay, Anjali Arondekar, Elspeth H. Brown, Elise Chenier, Howard Chiang, Ben Cowan, Ann Cvetkovich, Sara Davidmann, Leah DeVun, Peter Edelberg, Licia Fiol-Matta, Jack Jen Gieseking, Christina Hanhardt, Robb Hernandez, Kwame Holmes, Regina Kunzel, A. J. Lewis, Martin F. Manalansan IV, Maria Elena Martinez, Michael Jay McClure, Caitlin McKinney, Katherine Mohrman, Joan Nestle, Mimi Thi Nguyen, Tavia Nyong'o, Anthony M. Petro, K. J. Rawson, Barry Reay, Juana Maria Rodriguez, Don Romesburg, Rebecka Sheffield, Marc Stein, Margaret Stone, Susan Stryker, Robert Summers, Jeanne Vaccaro, Dale Washkansky, Melissa White

The contributors to Turning Archival trace the rise of "the archive" as an object of historical desire and study within queer studies and examine how it fosters historical imagination and knowledge. Highlighting the growing significance of the archival to LGBTQ scholarship, politics, and everyday life, they draw upon accounts of queer archival encounters in institutional, grassroots, and everyday repositories of historical memory. The contributors examine such topics as the everyday life of marginalized queer immigrants in New York City as an archive; secondhand vinyl record collecting and punk bootlegs; the self-archiving practices of grassroots lesbians; and the decolonial potential of absences and gaps in the colonial archives through the life of a suspected hermaphrodite in colonial Guatemala. Engaging with archives from Africa to the Americas to the Arctic, this volume illuminates the allure of the archive, reflects on that which resists archival capture, and outlines the stakes of queer and trans lives in the archival turn. Contributors. Anjali Arondekar, Kate Clark, Ann Cvetkovich, Carolyn Dinshaw, Kate Eichhorn, Javier Fernandez-Galeano, Emmett Harsin Drager, Elliot James, Marget Long, Martin F. Manalansan IV, Daniel Marshall, Maria Elena Martinez, Joan Nestle, Ivan Ramos, David Serlin, Zeb Tortorici

This book critically examines the causes of the increase in insurgent violence in Balochistan and explores the relations between the national government of Pakistan and the province of Balochistan. Based on historical analysis, the book argues that the national government of Pakistan and the leaders of Balochistan both use a standard narrative when dealing with each other. According to the Baloch narrative, Islamabad exploits Balochistan's natural resources without giving Balochistan its due share and has never accepted and granted Balochistan equal rights. The centre's narrative emphasizes the tribal character of the Baloch society and suggests that the Baloch elite hinder Balochistan's integration with the federation. This book demonstrates that both narratives are inherently flawed and presents a precipitous picture of the problem of insurgent violence. It also shows that the Baloch leadership is divided along tribal lines and lacks a unified voice and proposes that the Baloch elite use the narrative of enduring injustice only as a source of politicization of Baloch ethnicity when an actual or perceived injustice is taking place. An important addition to the literature on ethno-political conflicts, this unique analysis of the importance of narrative in the imagination of political movements will be of interest to scholars in the fields of South Asian studies, ethnic conflicts, separatist and political movements and Asian politics.

This issue offers a theoretical and methodological imagining of what constitutes trans* before the advent of the terms that scholars generally look to for the formation of modern conceptions of gender, sex, and sexuality. What might we find if we look for trans* before trans*? While some historians have rejected the category of transgender to speak of experiences before the mid-twentieth century, others have laid claim to those living gender-non-conforming lives before our contemporary era. By using the concept of trans*historicity, this volume draws together trans* studies, historical inquiry, and queer temporality while also emphasizing the historical specificity and variability of gendered systems of embodiment in different time periods. Essay topics include a queer analysis of medieval European saints, discussions of a nineteenth-century Russian religious sect, an exploration of a third gender in early modern Japanese art, a reclamation of Ojibwe and Plains Cree Two-Spirit language, and biopolitical genealogies and filmic representations of transsexuality. The issue also features a roundtable discussion on trans*historicities and an interview with the creators of the 2015 film Deseos. Critiquing both progressive teleologies and the idea of sex or gender as a timeless tradition, this issue articulates our own desires for trans history, trans*historicities, and queerly temporal forms of historical narration. Contributors. Kadji Amin, M. W. Bychowski, Fernanda Carvajal, Howard Chiang, Leah DeVun, Julian Gill-Peterson, Jack Halberstam, Asato Ikeda, Jacob Lau, Kathleen P. Long, Maya Mikdashi, Robert Mills, Carlos Motta, Marcia Ochoa, Kai Pyle, C. Riley Snorton, Zeb Tortorici, Jennifer Louise Wilson